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题名/责任者:

Merce Cunningham : co:mm:on ti:me / edited by Fionn Meade and Joan Rothfuss ; with contributions by Bruce Altshuler [and twenty others]

版本说明:

First edition.

出版发行项:

Minneapolis : Walker Art Center, [2017]

出版发行项:

漏2017

ISBN:

9781935963141q(hardback)q(alkaline paper)

ISBN:

1935963147q(hardback)q(alkaline paper)

载体形态项:

451 pages : illustrations (some color) ; 31 cm

变异题名:

Common time

附加个人名称:

Meade, Fionn, editor.

附加个人名称:

Rothfuss, Joan, editor.

附加个人名称:

Cunningham, Merce. Works. Selections.

附加团体名称:

Walker Art Center, organizer, host institution.

个人名称主题:

Cunningham, Merce-Exhibitions.

团体名称主题:

Merce Cunningham Dance Company-Exhibitions.

论题主题:

Art and dance-United States-Exhibitions.

论题主题:

Artistic collaboration-United States-Exhibitions.

中图法分类号:

J705.712

一般附注:

Exhibitions at: Walker Art Center, Minneapolis, February 8 - July 30, 2017, and Museum of Contemporary Art, Chicago, February 11 - April 30, 2017.

书目附注:

Includes bibliographical references (pages 440-441) and index.

内容附注:

Foreword / Olga Viso -- Acknowledgments / Fionn Meade -- Merce Cunningham and Westbeth / David Vaughan -- Collaborators. John Cage -- Morris Graves -- Robert Rauschenberg -- Jasper Johns -- David Tudor -- Takehisa Kosugi -- Nam June Paik -- Robert Morris -- Bruce Nauman -- Charles Atlas -- Rei Kawakubo -- Black Mountain College -- Essays. Root of an unfocus / Fionn Meade -- A May-December romance?: time and collaboration in The seasons / Juliet Bellow -- Antic meet triptych / Claudia La Rocco -- A medium for engagement: on the Merce Cunningham Dance Company's Events / Hiroko Ikegami -- Color should travel: Frank Stella's Scramble / Mary L. Coyne -- Not so much a program of music as the experience of music / Benjamin Piekut -- Blossoming of the bride: on Walkaround time / Carlos Basualdo -- Between us: friendship in Channels/Inserts / Kelly Kivland -- Four events that have led to large discoveries (about Merce Cunningham) / Douglas Crimp -- Ocean / Philip Bither -- Dancing for the digital age: Cunningham's Biped / Roger Copeland -- Variations V (1965) / Merce Cunningham -- Interviews. Legacy and forward motion: interviews with Common time commissioned artists / Philip Bither -- An interview with Beth Gill / Danielle Goldman -- An interview with Maria Hassabi / Aram Moshayedi -- An interview with Charles Atlas, Rashaun Mitchell, and Silas Riener / Victoria Brooks -- Chronology. A labyrinth with no exits: a chronology of Merce Cunningham and his collaborators / Mary L. Coyne -- Artist texts. Notation (1968) / Merce Cunningham -- Space, time and dance (1952) / Merce Cunningham -- [The new school] (Early 1960s) / John Cage -- The Cage class (1991) / Bruce Altshuler -- 2 pages, 122 words on music and dance (1957) / John Cage -- A view of 9 evenings: theatre & engineering (1967) / Simone Forti -- Judson days (1962) / Robert Ellis Dunn -- Cunningham and his dancers--conversation with Carolyn Brown, Douglas Dunn, Viola Farber, Steve Paxton, Marianne Preger-Simon, Valda Setterfield, and Gus Solomons Jr (1987) / David Vaughan (moderator) -- Four events that have led to large discoveries (1994) / Merce Cunningham -- Portfolios. Costumes from the Walker Art Center MCDC Collection -- Choreography in focus / Fionn Meade -- Reference. Appendix I. Merce Cunningham choreography -- Appendix II. Dances for camera -- Appendix III. Dancers -- Appendix IV. Composers -- Appendix V. Visual artists and designers

摘要附注:

"Renowned as both choreographer and dancer, Merce Cunningham also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and d鑼卌or and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound, and visual art could share a 'common time' remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, Nam June Paik, Robert Rauschenberg, Frank Stella, David Tudor, Stan Vanderbeek, Andy Warhol, and La Monte Young, among many others. These collaborations bring to the fore Cunningham's direct impact upon postwar artistic practice. This volume reconsiders the choreographer and his collaborators as an extraordinarily generative interdisciplinary network that preceded and predicted dramatic shifts in performance, including the development of site-specific dance, the use of technology as a choreographic tool, and the radical separation of sound and movement in dance. It features ten new essays by curators and historians, as well as interviews with contemporary choreographers--Beth Gill, Maria Hassabi, Rashaun Mitchell, and Silas Riener--who address Cunningham's continued influence. These are supplemented by rarely published archival photographs, reprints of texts by Cunningham, Cage, and other key dancers, artists and scholars, several appendices, and an extensive illustrated chronology placing Cunningham's activities and those of his collaborators in the context of the 20th century, particularly the expanded arts scene of the 1960s and 1970s. This book is an essential volume for anyone interested in contemporary art, music, and dance."--

豆瓣简介：